By David Theodore Fyfe
First released in 1942, Theodore Fyfe's e-book on Cambridge structure was once written to 'enable the customer to Cambridge to understand the worth of the city and college for illustrating the series of types in English architecture'. together with over fifty drawings of either well-known and lesser-known Cambridge architectural attractions, and a thesaurus giving transparent definitions of technical architectural phrases, the booklet continues to be a precious advisor for the trendy customer. The advent outlines the vital English architectural kinds, from Romanesque to Gothic to Renaissance, the sessions in which they flourished, and their major features. Fyfe then analyses over thirty chosen Cambridge examples intimately, together with an outline of the Perpendicular Gothic type as exemplified on a grand scale by way of the world-famous King's collage Chapel - 'the glory of Cambridge'.
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Additional resources for Architecture in Cambridge: Examples of Architectural Styles from Saxon to Modern Times
3011. and 32. FAC 17 2 slowly adapting itself from Mediaeval to Renaissance; that in this time and till 1663 (shortly after the Restoration) we get Immature Renaissance; and that from 1663 onwards we get Full and Later Renaissance. In comparison with the simplicity of the Gothic subdivisions, those of Tudor and Renaissance may seem confusing, but the terms 'Tudor', 'Stuart' and 'Georgian' have been stressed because they are approximately representative of the sixteenth, seventeenth and eighteenth centuries; 'Renaissance', in some form or another, being visible throughout except in the earlier Tudor period.
8. TUDOR ARCHITECTURE AND THE INTRODUCTION OF RENAISSANCE The steps that produced T U D O R architecture—the last phase of Mediaeval architecture in England—culminating in the reign of Queen Elizabeth—are again bound up with window treatments, as the arched transom and the arched head in mullioned windows were found to be less convenient for domestic work than their simple translation into square form. In Fig. 6 we can see a usual form of late Perpendicular door-head, and although it is arched, it has a squared label;* while in Fig.
Parge-work', or the ornamenting of external walls that were plastered on timber framing, with simple patterns or coats of arms—modelled in relief and sometimes coloured—can be seen in the English country or in villages and towns, on sixteenth and seventeenth century buildings that are often quite humble; their internal ceilings sometimes being decorated in a similar way. Rooms of the more important buildings of the sixteenth century had finer ceilings, with moulded ribs set out in geometrical patterns; or plainer ribs with vine leaves and grapes in running bands, small enriched pendants and heraldry.