Download Architecture and Nationalism in Sri Lanka: The Trouser Under by Anoma Pieris PDF

By Anoma Pieris

The function of the house, the family sphere and the intimate, ethno-cultural identities which are cultivated inside it, are serious to figuring out the polemical buildings of nation and town; culture and modernity; and regionalism and cosmopolitanism. the house is key to rules of the place of birth that supply nationalism its inventive shape and its political trajectory.

This publication explores positions which are very important to rules of nationwide belonging throughout the historical past of colonial, bourgeois self-fashioning and submit colonial id development in Sri Lanka. the rustic is still critical to similar architectural discourses because of its emergence as a serious website for neighborhood structure, post-independence. Suggesting styles of indigenous lodging and resistance which are expressed via outfitted shape, the booklet argues that the state grows as an extension of an indigenous deepest sphere, ostensibly uncontaminated through colonial impacts, domesticating associations and appropriating rural geographies within the pursuit of its hegemonic ideals.

This formidable, accomplished, wide-ranging publication provides an abundance of latest and unique fabric and lots of resourceful insights into the heritage of structure and nationalism from the mid 19th century to the current day.

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Extra resources for Architecture and Nationalism in Sri Lanka: The Trouser Under the Cloth (Routledge Contemporary South Asia Series)

Example text

L. Brohier’s definitive account of the city under three successive colonial regimes ([1984] 2007: 13), the residential quarter or Pettah (pita kotuva meaning outer fort) was a space comparable with the inner city environments described by Hosagrahar or Glover for India. The Portuguese also established several parishes north and east of the fort. Here they lived among their churches and married indigenous women. Their progeny were known as ‘Toepasses’ (Tuppahi – the children of mixed marriages). The Dutch (1658–1796) housed their entire administration in the main citadel, accommodating Hollanders, Toepasses and other Europeans working for the Dutch Charted United East India Company, known generally as Burghers (Brohier 2007: 31).

The renewed focus on vernacular architecture in private practice can be attributed to the revival of this tradition in the work of architect Minnette de Silva, the studies of historic buildings by Danish architect Ulrik Plesner, and the illustrated record and measured drawings of Ronald Lewcock, Barbara Sansoni and Laki Domesticity and decolonization 21 Senanayake (1998), and of C. Anjalendran’s students (Robson 2009; see also, Sansoni 1978). Although examples are largely drawn from the houses of local elites, they support the evidence of the proliferation of the courtyard and verandah in Sri Lankan architecture.

The ideological hegemony reinforced through such projects suggests an internal failure of democracy. Post-colonial studies offer many insights into such failures, particularly in the work of Partha Chatterjee (1986; 1993), but more recently in scholarship reviewing Benedict Anderson’s (1998a) Spectre of Comparisons (Cheah and Culler 2003). The spectral replication of imperialist tropes described by Anderson, or the cosmopolitan roots of nationalist ideologies argued by Cheah and Robbins (1998) project an ambivalent subjectivity similar to that suggested by the ‘trouser under the cloth’.

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