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By Andrew Benjamin

This article outlines a philosophical account of structure and makes an attempt to set up the singularity of architectural perform and idea. The essays contact on matters as huge ranging because the challenge of reminiscence, the paintings of Eisenman and the dystopias of technology fiction.

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What becomes essential is the extent to which specific architectural works affirm the productive presence of memory. Eisenman's work is for the most part defined by the presence of this form of affirmation. 1 At its most minimal, however, the implicit work of memory is the work of repetition. Repetition inscribes. What this means is that it is only in terms of repetition that an account can be given for how and in what way any new project is architecture's work. The doubling of repetition occurs because not only does repetition announce the possibility of a continual reiteration of the given, there also has to be an 44 COMPLEX SPACING allowance for a form of repetition in which architecture can sustain a specific critical dimension.

More significant, in this instance, are the design consequences that arise from pursuing the interruption and displacement of the conceptual oppositions - the tropes - through which architecture works. Eisenman is after the interstitial as the generative between. In a description given by Eisenman of his project for the United Nations in Geneva. The aim of the project was to deploy the interstitial - understood as the twofold of process and effect articulated through architectural tropes - 'to destabilize the traditional social organization of any program'.

12 There are two reasons why the work of this architect is to be used. The first is the more general methodological clam that consistent with what has been argued thus far there cannot be an adequate abstract answer concerning the presence in architecture of '1'informe'. Any investigation must always investigate particularity. The second is that beginning with Eisenman allows for an opening in which an important connection can be drawn between alterity and sustaining the presence of '1'informe'.

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